Maksym Kryvtsov, ‘Amid voicing’

trans. by 
Helena Kernan

***

Amid voicing
and amid silence
among the trees and the insects
and a fearsome metal seagull.

Amid
heavy gloom
and dead light
in the sour milk of dawn
in the labyrinth of the trenches
with the Minotaur of war.

Amid charred trees
amid roads
shattered
like a pair of glasses
dropped on the ground
amid the ghosts
of the living and the dead.

Amid the heat
rising from weapons
amid the music
of machine gun rounds
amid the bass
of loaded artillery.

It appears,
like morning mist
like acne on a teenager’s cheeks
like wrinkles
like cracks in old houses
like ladders in nylon tights:

A smile of silence
memories of a lost warmth
a poem.

 


Translated by Helena Kernan from: Maksym Krvytsov, Вірші з бійниці: Поезії (Nash Format, 2024), pp. 38–39.


Cover Image for Legacies of Chornobyl

Legacies of Chornobyl

The explosion that destroyed the Chornobyl nuclear power plant on 26 April 1986 also reshaped political, ecological, and cultural landscapes around the world. This issue of the London Ukrainian Review marks the fortieth anniversary of the disaster and examines its evolving global impacts.

Sasha Dovzhyk
Cover Image for Nuclear Roulette: Serhii Plokhy in Conversation

Nuclear Roulette: Serhii Plokhy in Conversation

Author of The Nuclear Age, historian Serhii Plokhy, discusses how Chornobyl catalysed Ukrainian independence and reveals the nuclear industry’s structural vulnerabilities. The conversation explores how nuclear disasters transform politics across decades and geographies with a focus on the weaponisation of civilian nuclear infrastructure during Russia’s war in Ukraine.

Sasha Dovzhyk