Lesia Waschuk

Lesia Waschuk is a heritage speaker of Ukrainian who was born in Canada and has had a lifetime of opportunities to act as an interpreter, informally. She is a licensed dentist, regulatory expert, longtime peer reviewer and editorial consultant to a national dental journal. She has written more than sixty articles providing professional guidance on dentistry-related topics. She holds a Master of Education from the Ontario Institute for Studies in Education and a graduate certificate in creative writing from the Humber School for Writers in Toronto, and has published several creative non-fiction pieces in the Literary Kitchen Collective anthologies On the Fly and Places Like Home. A committed volunteer in the Ukrainian-Canadian community, she has provided editorial assistance for the publication of English-language translations of classic and contemporary Ukrainian literature and stories from life during wartime written by ordinary Ukrainians. She has been learning the craft of literary translation since 2022.

Translations in London Ukrainian Review:

Oksana Lushchevska, ‘Our Big Imaginary Family’

Contact: lwaschuk@gmail.com


Tanya Savchynska

Translator: Tanya SavchynskaTranslators

Tanya Savchynska is a literary translator working between Ukrainian and English. She holds an MA in Comparative Literature from Dartmouth College, where she studied on a Fulbright Scholarship. She was a 2019 resident at the Banff International Literary Translation Centre in Canada and a 2023 resident at the Art Omi Translation Lab in the US. Her writing and translations have appeared in The Los Angeles Review of Books, Asymptote, Apofenie, and elsewhere. Her translation of Kateryna Zarembo’s Ukrainian Sunrise: Stories of the Donetsk and Luhansk Regions from the Early 2000s was published by Academic Studies Press in 2024.

Martin Lohrer
Cover Image for Culture as Security

Culture as Security

Issue 5 (October 2025)

This issue of the London Ukrainian Review takes a look at culture as a matter of national security. Highlighting the voices of cultural figures who defend Ukraine with arms, it also examines culture as a tool of Russia’s imperialist expansion, all the while insisting on a bond between cultural familiarity and political solidarity.

Sasha Dovzhyk
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