Cover Image for Forest Song (Act 1)

Forest Song (Act 1)

trans. by Eriel Vitiaz
Special Issue 2 (2022)

The Neoromantic Forest Song (Lisova pisnia) is the most famous of Lesia Ukrainka’s poetic dramas, first published in 1912. The translator Eriel Vitiaz presents a selected passage about dreams drawing attention to the ability of the Forest Song’s heroine ‘to paint mesmerising pictures with words, pictures that show us glimpses of a different world where everything is more vibrant, more pronounced, and (in a way) more real’.

 

Lake, forest, rush were all asleep.
The willow creaked, ‘Sweet dreams, sweet dreams…’
And in my quiet sleep it seemed that all was white.
The world was made of cleanliness and light.
Clear diamonds glittered there on silver boughs,
And nameless grasses were all pale with flowers,
Like icy crystals, stars were falling, piling up in drifts,
And, dazzled by my winter gifts, I was asleep.
My breath was slow and deep,
And yet, my wandering thought
Wove crimson patterns in my mind and wrought
Blue fantasies with streaks of gold,
Unlike those summer dreams I had of old.

1912

 

Read in Ukrainian.

 

Image: Olena Kulchytska, Winter, 1911. Coloured linocut. Source: www.photo-lviv.in.ua


Become a supporter and help us publish future issues of the London Ukrainian Review.

 


Cover Image for War on the Environment

War on the Environment

Issue 1 (2024)

This issue of the London Ukrainian Review looks into Russia’s war on nature in Ukraine and its global repercussions. The editor Sasha Dovzhyk reflects on how Ukrainian and international responses to Russia’s wanton damage to the environment shape our present and future.

Sasha Dovzhyk
Cover Image for In Conversation: Stop Ecocide Co-Founder Jojo Mehta

In Conversation: Stop Ecocide Co-Founder Jojo Mehta

Issue 1 (2024)

Jojo Mehta speaks about the addition of ecocide as the fifth international crime to the Rome Statute of the International Criminal Court, the impact of Russia’s full-scale invasion of Ukraine on international legal discourse, and the significance of the destruction of the Kakhovka Dam for the debate.

Anna Ackermann